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Capoeira: A Brazilian Art Form: History, Philosophy, and Practice, by Bira Almeida
Download Ebook Capoeira: A Brazilian Art Form: History, Philosophy, and Practice, by Bira Almeida
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About the Author
Bira Almeida was born in Salvador, Brazil, in 1943. As Mestre Acordeon, he is on of ten mestres certified by Mestre Bimba, Patron of Capoeira. A playwright, songwriter, vocalist, and musician, as well as a teacher of capoeira, Bira Almeida created the Grupo Folclorico de Politecnica which toured Europe. Almeida is founder and first president of the World Capoeira Association.
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Product details
Paperback: 192 pages
Publisher: Blue Snake Books; 2 edition (February 1, 1993)
Language: English
ISBN-10: 0938190296
ISBN-13: 978-0938190295
Product Dimensions:
5.9 x 0.6 x 8.8 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#771,992 in Books (See Top 100 in Books)
Such a great book. The philosophy part of this book and the stories are so insightful. Love it!
Every capoeirista that wish to get to know capoeira in them MUST read it!
Purchased for a friend who recently started practicing capoeira and she loves it.
Good book
Whether you're just thinking about getting into capoeira, or you've been in it for a while and would like to learn more about the culture of capoeira, this book is great. This book helps the reader to understand the "insides" of the art.
This book is incredible, it's an inspiration for me
This book is essential to, in my opinion, Capoeira study. This nook is not just on the history of Capoeira but it details and teaches the history MAKING of Capoeira. In a day and age where everything is so rushed and the true nature of arts forms are lost, in America specifically, Mestre Acordeon opposes this movement and brings to light the true nature and history of Capoeira from experiencing and living it first hand.
Mestre Acordeon's book has long been praised for its clear writing, for his thoughtful coverage of the history, philosophy, and artistic traditions surrounding this art-form. Other reviewers (see below) have noted that the book was among the first in English to introduce readers to these aspects of Capoeira, while also offering a glimpse into this one mestre's personal and life-long journey. Having assigned his book to students (both graduate and undergraduate alike), I have had ample opportunity to hear students' glowing reviews: most of these students had never heard of Capoeira, nor even seen it played, before having read his work. In retrospect, they (and I, too) consider this book an excellent way to delve into the topic. While there's recently been a flurry of new scholarship on Capoeira (at least 3 books in English have come out in 2005) that matches Capoeira's growing influence around the globe, Acordeon's book remains one of the best places to start one's exploration. Axe ASCAB!
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